| 1950 |
Rulan C. Pian collection. |
| 1956 |
Revue
bibliographique de sinologie,
vo1. 2, entry 470. [Between
1956 and 1964 Rulan Chao
Pian wrote 23 items for
the Revue bibliographique
de sinologie (Paris).
These are short discussions,
in English, of Chinese-language
publications on theater,
music, history and aesthetics.
They will be listed in
summary form by year.] |
| 1957 |
Revue
bibliographique de sinologie,
vol. 3, entries 686, 698,
700, 750. |
| 1958 |
Review
of "China" by Laurence
E. R. Picken, in The
New Oxford History of
Music, vol. 1. The
Journal of Asian Studies 17/3: 450-53. |
| 1959 |
Review
of Japanese Music and
Musical Instruments,
by William P. Malm. Harvard
Journal of Asiatic Studies 22: 297-98. |
| 1960 |
Musical sources of
the Sung Dynasty (960-1279).
[Thesis (Ph. D.)--Radcliffe
College.] |
| 1960 |
A
Syllabus for the Mandarin
Primer. Cambridge:
Harvard University Press. |
| 1961 |
A
Syllabus for Mandarin
Primer. Cambridge:
Harvard University Press. Review: The Journal of Asian
Studies 20/3:
370-71, by Frederick W.
Mote. |
| 1961 |
Revue
bibliographique de sinologie,
vol. 7, entries 5, 253,
479, 504. |
| 1962 |
Revue
bibliographique de sinologie,
vol. 8, entries 675-679,
682, 687. |
| 1963 |
Revue
bibliographique de sinologie,
vol. 9, entries 468-470. |
| 1964 |
Revue
bibliographique de sinologie,
vol. 10, entries 427,
429, 432, 436. |
| 1965 |
Aids for study of
elementary Chinese.
Cambridge: Department
of Far Eastern Languages,
Harvard University. |
| 1966 |
"Teaching Elementary
and Intermediate Written
Chinese at Harvard." Chinese Language Teachers
Association Journal 1/1: 20-25. |
| 1967 |
Sonq
Dynasty Musical Sources
and Their Interpretation.
Cambridge: Harvard University
Press. [Received Otto
Kinkeldey Award from the
American Musicological
Society]. Reviews: Notes 26/1
(1969): 23-24, by Fredric
Lieberman; Harvard
Journal of Asiatic Studies 28 (1968): 259-62, by
William P. Malm; Monumenta
Serica 27 (1968):
447-50, by Colin Mackerras; Ethnomusicology 13/3 (1969): 553-56, by
Fritz Kuttner; Journal
of the American Oriental
Society 89/3 (1969):
600-21, by Laurence E.
R. Picken. |
| 1968 |
Review
of Musical Notation
of the Orient,
by Walter Kaufmann. Journal
of the American Oriental
Society 88/3:
636-40. |
| 1968 |
Review
of Peking Opera,
by Elizabeth Halson. Bulletin
of the School of Oriental
and African Studies 31/1: 177-79. |
| 1969 |
"Chinese
Music," "Chyn," and "Pyiba."
In the Harvard
Dictionary of Music,
2nd edition. Cambridge:
Harvard University Press. |
| 1970 |
"Rewriting
of an Act of Yuan Drama, Lii Kwei Fuh Jing,
in the Style of the Peking
Opera: A Field Worker's
Experiment." Chinoperl
News 2: 19-39. |
| 1971 |
"The Function of Rhythm
in the Peking Opera."
In The Musics of Asia,
edited by Jose Maceda,
114-31. Manila: the National
Music Council of the Philippines
with the UNESCO National
Commission of the Philippines. |
| 1971 |
Review
of An Annotated Bibliography
of Chinese Music,
by Fredric Lieberman. Notes 28/2: 227-29. |
| 1971 |
Review
of "Instrumental Music"
by Fredric Lieberman,
notes for the record Music
of China, vol.
1: Chinese Instruments. Ethnomusicology 15/2: 310-13. |
| 1971 |
Review
of notes by Dale Craig,
for the record The
Chinese Opera; Arias from
8 Peking Operas. Ethnomusicology 15/2: 313-15. |
| 1972 |
"Text
Setting with the Shipyi Animated Aria." In Words
and Music, the Scholar's
View: A Medley of Problems
and Solutions, compiled
in Honor of A. T. Merrit
by Sundry Hands,
edited by Lawrence Berman,
237-70. Cambridge: Department
of Music, Harvard University. |
| ca. 1972-1984 |
Course materials
for music and ritual. |
| 1974 |
"An
Interim Bibliography for
the Chinese Oral Tradition." Chinoperl
News 4: 78-84. |
| 1974 |
"Report
on Fieldwork in Taiwan
in the Summer of 1964." Chinoperl
News 4: 123-28. |
| 1974 |
"Report on Research
in the year 1965-66." Chinoperl
News 4: 129-32. |
| 1974 |
"Videotaping
Peking Opera." Chinoperl
News 4: 133-37. |
| 1975 |
"Aria
Structural Patterns in
the Peking Opera." In Chinese
and Japanese Music Drama,
edited by J. I. Crump
and W. P. Malm, 65-86.
Ann Arbor: Center for
Chinese Studies, The University
of Michigan. |
| 1976 |
"The Peking Drum Song,
Tzu Ch'i Listening to
the Ch'in." In Festschrift for Dr.
Chang Sa-hun, Articles
on Asian Music, 281-96.
Seoul: Korean Musicological
Society. [Translation
and partial transcription.] |
| 1976 |
"Ch'en
Yang," "Hu Yüan," "Nieh
Ch'ung-I," and "Ts'ai
Yüan-Ting." In Sung
Biographies, edited
by Herbert Franke. Wiesbaden:
Franz Steiner Verlag. |
| 1978 |
"A
Complete Translation and
Transcription of the Medley
Song, 'The Courtesan's
Jewel Box'." Chinoperl
Papers 8: 161-206. |
| 1979 |
"Rhythmic
Texture in the Peking
Opera, The Fisherman's
Revenge." Asian
Cultural Quarterly 7/4: 19-26. [Paper given
at the International Symposium
on Asian Music, Taipei,
July 8-12, 1979.] |
| 1979-80 |
"A
Study of the Use of Music
as a Narrative Device
in the Medley Song, 'The
Courtesan's Jewel Box'." Chinoperl
Papers 9: 9-31. |
| 198? |
Buddhist chants sound
recording. |
| 1980 |
"Chinese
Music-Overview." In The
New Grove Dictionary of
Music and Musicians,
edited by Stanley Sadie.
London: Macmillan. |
| 1980 |
"Feng Yue Guei Jou,
'Boat Return in the Rain'." Journal of Far Eastern
Studies (Seoul) 23-24:
389-403. [Transcription
with Commentary.] |
| 1981 |
"Modes, Transposed Scales,
Melody Types and Tune
Types." In Proceedings
of the Twelfth Congress
of the International Musicological
Society, Berkeley, California,
August 1977, edited
by Daniel Heartz & Bonnie
Wade, 536-44. New York:
Bärenreiter. |
| 1982 |
Review
of Music and Tradition:
Essays on Asian and Other
Musics, Presented to Laurence
Picken, edited
by Richard Widdess and
Rembrant Wolpert. The
China Quarterly 90: 329-30. |
| 1983 |
"Minshingaku"
[Early Chinese Popular
Songs Found in Japan.] Kodansha Encyclopedia
of Japan 15:197.
Tokyo: Kodansha Ltd. |
| 1983 |
"What
is Ethnomusicology?" The
Bauhinian Suite (Bulletin of the Music
Department). Hong Kong:
The Chinese University
of Hong Kong. |
| 1983 |
"Musical
Elements in the Peking
Opera, The King's Farewell." Chinoperl
Papers 12: 61-83.
[Synopsis with translation
and transcription.] |
| 1984 |
"In
Memoriam: Yang Yin-Liu." Ethnomusicology 28/2: 289-90. |
| 1984 |
Review
of The Performing Arts
in Contemporary China,
by Colin Mackerras. Ethnomusicology 28/3: 574-76. |
| 1984-85 |
"My
Life as a Drum Singer." Chinoperl
Papers 13: 6-106.
[Complete translation
of the autobiography of
the drum singer Jang Tsueyfenq.] |
| 1985 |
"The
Twirling Duet: A Dance
Narrative from Northeast
China." In Music
and Context, A Festschrift
for John M. Ward,
edited by Anne Dhu Shapiro,
210-41. Cambridge: Department
of Music, Harvard University. |
| 1985 |
"My Father's (Y. R.
Chao) Musical Life." Stone
Lion Review 13: 66-74. |
| 1986 |
"Birthday
Greetings From the Eight
Immortals." Chinoperl
Papers 14: 15-25.
[Translation and transcription
of a kaipian, sung
in the style of the Southern
narrative song, tarntsyr.] |
| 1987 |
"My Graduate Training
and My Career." In Living
Our Choices, Choosing
Our Lives: Alumni Career
Profiles from Harvard's
Graduate School of Arts
and Science, 17. Cambridge:
Harvard University. |
| 1988 |
"Music
in China." In Encyclopedia
of Asian History,
edited by Ainslie T. Embree,
vol. 3: 59-62. New York:
Charles Scribner. |
| 1988 |
"Higashi Ajia no Ongaku
no Tayosei to no Kankei"
[Diversity and Interrelationships
of the Musics of East
Asia]. In Nippon no
Ongaku, Ajia no Ongaku [Music Traditions of Japan,
Asia and Oceania], vol.
3: 145-58. Tokyo: Iwanami
Shoten. |
| 1988 |
Review
of Flying Dragons,
Flowing Streams: Music
in the Life of San Francisco's
Chinese, by Ronald
Riddle. Asian
Theatre Journal 1: 103-05. |
| 1990 |
Review
of Music of the Billion,
by Liang Mingyue. Asian
Music 21/2: 147-50. |
| 1992 |
"The
Flower Songs of Lotus
Mountain: A Study in Performance
Context." In New
Perspectives on Music.
Essays in Honor of Eileen
Southern, edited
by Josephine Wright and
Samuel Floyd, 341-54.
Warren, MI: Harmonie Park
Press. |
| 1992 |
"Return
of the Native Ethnomusicologist." Yearbook
for Traditional Music 24: 1-7. [Keynote speech
at the 31st World Conference
of the International Council
for Traditional Music,
Hong Kong, 1991.] |
| 1993 |
"Text
Setting and the Use of
Tune Types in Chinese
Dramatic and Narrative
Music." In Text,
Tone, and Tune: Parameters
of Music in Multicultural
Perspective, edited
by Bonnie C. Wade, 201-33.
New Delhi-Bombay-Calcutta:
American Institute of
Indian Studies, Archives
and Research Center for
Ethnomusicology, and Oxford
and IBH Publishing. [Paper
read at Symposium on Texts,
Tones and Tunes, New Delhi,
1986.] |
| 1994 |
"A Selection of Works
in Western Languages on
the Peking Opera With
Commentary." Read in Chinese
at the International Academic
Symposium on Chinese Traditional
Opera Arts, Beijing, 1987.
In Association for
Chinese Music Research
Newsletter 7/1 (Summer,
1994). |
| 1995 |
"Autobiographical sketches." ACMR reports: Journal
of the Association for
Chinese Music Research 8/1: 1-20. |
| 1997 |
"Music
and the Confucian sacrificial
ceremony." In Enchanting
powers: music in the world's
religions, edited
by Lawrence E. Sullivan,
237-262. Cambridge, Mass.
: Distributed by Harvard
University Press for the
Harvard University Center
for the Study of World
Religions. |
| 2003 |
Sonq
Dynasty Musical Sources
and Their Interpretation.
Hong Kong: Chinese University
Press. |
| |
"Some Thoughts on the
Classification Scheme
Used by the Chinese Music
Archives at the Chinese
University of Hong Kong."
To appear in the festschrift
for the late Dr. A. K.
Chiu. |
| |
"Music in the Chinese
Context." Paper read at
Symposium on National
Music Cultures and Intercultural
Dependencies, Berlin,
June 5-9, 1985. To appear
in the festschrift for
Prof. Frederic Mote. |
| |
"Contribution of the
Percussion Orchestra to
Dramatic Structure in
the Peking Opera." Paper
read at the 27th International
Congress of Orientalists,
Ann Arbor, Michigan, 1967.
To appear in the festschrift
for Prof. James Crump. |
| |
"English Translation
of Hayashi Kenzo's 'Deciphering
the Dunhuang Pipa Notation'."
Manuscript. |
| |
"Foundation Work in
Pronunciation of Mandarin
Chinese: Exercises with
Explanations and Recordings."
Manuscript and recordings. |
| |
"Transcription and Translation
of Three Peking Operas: Daa yu sha jia [The Fisherman's Revenge], Su San chii jieh, yuh
tarng chuen [The Trial
of Su San], and Juo
fang Tsaur [The Capture
and Release of Tsaur Tsau]."
Manuscript. |
| 1976 |
〈我在崇基音樂系的一些雜感〉，《中國時報》，1976年2月26日。 |
| 1980 |
〈京戲中韻律（節拍）之功能〉，《中國戲劇集刊》，2期（1980年10月）：64-67。 |
| 1982 |
〈西天還有些兒彩霞：給爸爸朋友的一封信〉，《音樂與音響》（香港）（1982年4月）：22。 |
| 1982 |
〈趙元任先生的最後一年〉，《傳記文學》，40卷4期（1982年4月）：7。 |
| 1982 |
〈趙元任晚年的日子
── 趙如蘭給親友的信〉，《南北極》，145期（1982年6月16日）：90-91。 |
| 1983 |
〈回答一些關於父親的問題〉，《中國音樂》（北京），2期：38-39。 |
| 1987 |
《趙元任音樂作品全集》，上海：上海音樂出版社。 |
| 1987 |
〈趙元任作品賞析〉，《今日生活》，252期（1987年9月）：29-32。 |
| 1987 |
〈《趙元任音樂作品全集》的成書和出版〉，《音樂藝術》，4期：47-48。 |
| 1990 |
〈討論中國聲樂中民歌唱法、通俗歌唱法、美聲唱法〉，劉靖之主編：《中國音樂與亞洲音樂研討會論文集》，香港：香港大學亞洲研究中心，頁210-230。 |
| 1990 |
〈從“花兒”的演唱談表演實況問題〉，香港中文大學中國音樂資料館，香港民族音樂研究會編：《中國音樂國際研討會論文集》，濟南
: 山東教育出版社，頁70-78。 |
| 1994 |
〈我父親的音樂生活〉，《表演藝術》，15期（1994年1月）：72-77。 |
| 1994 |
〈紀念趙元任一百零一歲誕辰的活動(附：余少華：卞趙如蘭教授)〉，《人文學刊》，3期（1994年6月）：90-92。 |
| 1996 |
《趙元任紀念專刊》，台北市：行政院文化建設委員會。 |
| 2000 |
〈民族音樂學與中國音樂研究〉，《偉倫訪問教授講座專輯》，第9輯（2000年1月1日）：1-10。 |
| 2001 |
〈趙元任的音樂生活〉，《中華讀書報》，2001年7月18日。 |
| 2005 |
〈父親與我們的阿麗思童年〉，《中國時報》，2005年10月9日。 |
